Duel (1971)
Of course, it is the film's aim to highlight the unexplained maliciousness of the trucker, which it does admirably, but not terribly memorably. Just as the brand of nihilism with which John Gardner infuses Grendel is stale in comparison to that found in writers such as Ernest Hemingway, Eugene O'Neill, and Horace McCoy, Spielberg's depiction of the aforementioned unexplained horror seems a hollow approximation of the dynamic Franz Kafka perfected in his nightmarish novels and Alfred Hitchcock explored cinematically in The Birds. Still, as far as low-budget thrillers go, one could do considerably worse than Duel and, it must be emphasized, the film makes no grand claim to be anything more than an entertaining ninety minutes, which it is.
Rating: 2 out of 5 stars.
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